Skip to main content

[djifi] Download Faber Serif Pro fonts from ingoFonts

Faber Serif Pro
Designed by Ingo Zimmerman, Faber Serif Pro is a serif font family. This typeface has ten styles and was published by ingoFonts.


Faber Serif is the Roman typeface which was born out of the sans serif design Faber Sans. The pro­portions are nearly identical to those of Faber Sans.

In comparison, Faber Serif has heavy — although very short — serifs. The character of contrasting strokes is not very pronounced; therefore, this font is closely related to the first Roman typefaces from the 15th century. The Kursiv (Italic) also has very reserved serifs, which are quite appealing to modern reading habits.

Several OpenType-Features are included in Faber Sans, which can be turned on and off as required:
• Stylistic Alternates: replaces the letters a, g, l by the alternate glyph, also in ligatures.
• Ligatures: replaces the letter combinations fi, fl, ff, ffi, ffl, ft, tt, Th with the corresponding ligature.
• Discretionary Ligatures: replaces ch, ck, mm with the appropriate ligature and SS with capital-ß.
• Tabular Figures: replaces proportional standard figures with tabular non-proportional figures.
• Medieval Figures: replaces standard figures with medieval figures, which have ascenders and descenders like the lowercase letters.
• Fractions: replaces the glyph combinations 1/2, 1/3, 1/4 etc. with the according fractions.
• Slashed Zero: replaces the normal »open« 0 with a slashed zero.
• Small Caps: replaces uppercase letters with small capitals at the optical height of x.
• Historical Forms: replaces s with „long s“.
• Stylistic Set 1: replaces the numbers 1 through 20 with circled numbers.
• Stylistic Set 2: replaces the standard figures 1 through 20 with negative circled numbers.
• Stylistic Set 3: replaces the »two-story« a with the »round« alternate.
• Stylistic Set 4: replaces the »straight« l with the alternate form »with a hook«.
• Stylistic Set 5: replaces the »two-story« g with the »round« alternate


Faber Serif perfectly matches with Faber Sans!



Faber Serif Pro


Popular posts from this blog

Happy Moment fonts from Seemly Fonts - (iwitz)

Designed by Md. Shohail Bhuiyan, Happy Moment is a hand display and hand drawn font published by Seemly Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 Happy Moment is a cute and tall lettered handwritten font that can be used for all chalkboard quotes or teaching material! Its authentic look and feel will add a realistic feel to your designs. Happy Moment Happy Moment

[arbdx] Download Village Green JNL fonts from Jeff Levine Fonts

Designed by Jeff Levine, Village Green JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 Village Green JNL is based upon a font called “Giraffe Extended” from the 1892 edition of the MacKellar, Smiths & Jordan type specimen book, and is available in both regular and oblique versions. Its Art Nouveau styling can also fit well with 1960s counter-culture revival projects. According to Wikipedia “A village green is a common open area within a village or other settlement. Historically, a village green was common grassland with a pond for watering cattle and other stock, often at the edge of a rural settlement, used for gathering cattle to bring them later on to a common land for grazing. Later, planned greens were built into the centres of villages.” Village Green JNL

Plethora fonts from Sudtipos - (fsihu)

Designed by Alejandro Paul, Plethora is a serif font family. This typeface has twenty styles and was published by Sudtipos . Download Now Server 1 Download Now Server 2 Download Now Server 3 A few years ago I’ve discovered the work of one of the most prolific typeface designers of the Bruce type Foundry in NYC during late nineteenth century. Browsing Julius Herriet’s work I found a very unique kind of ligatures in his patented “Old Style Ornamented” type design. Some letters were designed with a little top tail that allowed them to connect to each other. After that, I found that he also designed a single italic weight of the same font 7 years later. Since the beginning of the Opentype days I’ve been deeply obsessed with exploring different ways to build ligatures, so that lead me up to this point where I felt the need to create “ Plethora ”, this new font inspired by Herriet’s work. Extrapolating weights, adding variable technology and playing with additional interconnected letters a...