Skip to main content

[ajeek] Download LaFarge fonts from Typetanic Fonts

LaFarge
Designed by Gregory Shutters, LaFarge is a serif and dingbat font family. This typeface has fifteen styles and was published by Typetanic Fonts.


LaFarge is a typeface primarily inspired by the historic mosaic titling capitals found in the New York City Subway, designed by architect Squire J. Vickers and his staff between 1915-1927. These elegant but industrial signs are characteristic of early-20th century American architectural lettering, and show an evolution of the classical Roman capitals to lower contrast, bolder serifs, and more regular character widths. The majority of this lettering still remains in subway stations today, and though elements of the style vary from sign to sign, many carry the unique features that are reflected in LaFarge: high-waisted crossbars with angled serifs, elegantly curved “R” leg, and distinctive trapezoidal serifs. LaFarge expands this style into a lower case, taking cues from contemporary typefaces like Bookman, Cheltenham, and Della Robbia.

A number of typographic features are included, such as small caps, ordinal indicators / superscript letters, arrows, and a set of borders inspired by early subway tile. The result is a fashionable, architecturally-minded typeface that is just as at home on the façade of a grand public building as it is on packaging, magazines, or the web. LaFarge works well in both text and display settings, remaining readable at small sizes but showing off its elegant details in larger uses.

LaFarge has received the Communication Arts Typography Award, the ADC Annual Merit Award, is included in the 2020 STA 100, and was part of designer Greg Shutters’ winning portfolio in the 2019 Type Directors Club Ascender Awards. View a video of LaFarge in action here: https://youtu.be/i7cdkM_HZSY



LaFarge


Popular posts from this blog

Happy Moment fonts from Seemly Fonts - (iwitz)

Designed by Md. Shohail Bhuiyan, Happy Moment is a hand display and hand drawn font published by Seemly Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 Happy Moment is a cute and tall lettered handwritten font that can be used for all chalkboard quotes or teaching material! Its authentic look and feel will add a realistic feel to your designs. Happy Moment Happy Moment

[arbdx] Download Village Green JNL fonts from Jeff Levine Fonts

Designed by Jeff Levine, Village Green JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 Village Green JNL is based upon a font called “Giraffe Extended” from the 1892 edition of the MacKellar, Smiths & Jordan type specimen book, and is available in both regular and oblique versions. Its Art Nouveau styling can also fit well with 1960s counter-culture revival projects. According to Wikipedia “A village green is a common open area within a village or other settlement. Historically, a village green was common grassland with a pond for watering cattle and other stock, often at the edge of a rural settlement, used for gathering cattle to bring them later on to a common land for grazing. Later, planned greens were built into the centres of villages.” Village Green JNL

Plethora fonts from Sudtipos - (fsihu)

Designed by Alejandro Paul, Plethora is a serif font family. This typeface has twenty styles and was published by Sudtipos . Download Now Server 1 Download Now Server 2 Download Now Server 3 A few years ago I’ve discovered the work of one of the most prolific typeface designers of the Bruce type Foundry in NYC during late nineteenth century. Browsing Julius Herriet’s work I found a very unique kind of ligatures in his patented “Old Style Ornamented” type design. Some letters were designed with a little top tail that allowed them to connect to each other. After that, I found that he also designed a single italic weight of the same font 7 years later. Since the beginning of the Opentype days I’ve been deeply obsessed with exploring different ways to build ligatures, so that lead me up to this point where I felt the need to create “ Plethora ”, this new font inspired by Herriet’s work. Extrapolating weights, adding variable technology and playing with additional interconnected letters a...